franz marc 402
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Subjective
Influenced by Cubism, Impressionism, Expressionism and Futurism.
Was interested in art based on a wide spectrum of colour that expressed profound emotional and
spiritual states and feelings.
Suffered from episodes of severe depression that impacted on his artwork in a big way.
Much of experimentations were motivated by a desire to have his own personal style.
Believed every person has an "inner world" and an "outer world" and that art can bring these
worlds together. The outer world of colour and form can bring the artist or viewer into the inner
world through the feeling s/he experiences.
Thus, Marc's artworks represented a major statement on his artistic beliefs and ideology.
Cultural
A pioneer of abstract art.
Founded Der Blaue Reiter (The Blue Riders) in 1911 with Kandinsky.
Studied at the Kunstakademie in Munich with Gabriel Hackl and Wilhelm von Diez.
Was introduced to Japanese woodcuts and the work of Parisian Impressionists during a visit to
France. This marked a turning point in his artistic life.
Influenced by Theology.
Structural
Usually painted with oil paint on canvas.
Often painted animals. Taught anatomy classes. Depicted animals very realistically at first, but as
he was gradually pulled into the abstract art community his depictions of animals became
increasingly distorted and abstract, resulting in crazy, colourful and often indecipherable
crystalline patterns. "I found people 'ugly' very early on; animals seem to me more beautiful, more
pure; but even in animals I discovered much that was unfeeling and ugly, so that my pictures
instinctively became increasingly more schematic, more abstract."
Used bold colours to express emotions.
Many of his most famous works involve the use of rich, chromatic symbols. He uses horses as a
symbol of nature, and later, as messengers of the spiritual "inner world".
Basic features of his works include impressively large scale, conscious and deliberate planning of
the composition and the representation of increasingly abstract imagery.
In true abstract tradition, many of the figures in his works are completely unfathomable.
Compositions of forms and colour are not recognizable or related to visible realist, but still prompt
a certain emotional response from the viewer.
Post-Modern
While members of Der Blaue Reiter group were educated at a very intellectual level, they overtly
rejected the ideas of "academic art".
The formulation of abstract art theory and Der Blaue Reiter Almanac was completely
revolutionary for its time and presented the art world with unlimited new directions for art.
