Chapter
9
Creating an Online
Photo
Gnllery
rollover image into Microsoft Internet Explorer, as
shown in
3.
HTML
code needed to properly display the rollover
image.
-
You can now copy the
HTML
code from the
As
you move
you1
mouse over the image, the
Internet Explorer window and paste it into the source
"
before
"
image should appear; move your mouse off
code for the Web page where you intend to display
the image and it will once again display the
"
after
"
the rollover image. Or, you can select
Pile

*
Save
image. Below the image you
will
find
some informa
-
tion on the image, and below that you
will
find
all
the
Optimized
As
to get the
Save
Optimized
As
dialog
box shown in Figure
49.10.
Tse the filename you
want in the
Pile
name
box. Click in the
Save
as
type
.

-
box and select
HTML
and
Images.
Clidc
Save
to save
the images plus a Web page. You can now view the
rollover image by clicking the
HTML
file found in the
folder where yon saved it.
CREATING ANIMATIONS
-
50
USING DIGITAL
PHOTOS
BOUT
THE
IMAGE
!
Seeing Through the
Fall
Colors
Canon EOS
030
digital
camera mounted on a
tripad

1
Wmm
fl2.8
macro with dr-
cular polarizer,
IS0
100,
Fine
image setting,
118
@
fR.8,
images have
been
edited and
resized
to
be
214
x
320
pixel
.jpg images
(41
K
and
49K)
T
he two photos shown in Figure 50.1 were taken
with

a Canon
EOS
D30
digital
camera and a circular polarizer on a lOOmm
lens. The photo on the left shows the results of rotating the
circular polarizer so that
all
reflections were removed from
the surface of the water. Without the surface reflections, it
was possible to see
all
the way to the bottom of the stream. The second
photo shows the results of rotating the circular polarizer so that the reflec
-
tions were maximized.
The goal of this technique is to create an animation for a Web page that
shows what it looks lie when the circular polarizer
is
rotated. To accom
-
plish this seemingly difficult objective, the images will be combined into
one image as separate layers; then
Opacity
will he varied on the top layer
and the animation
will
be created by using the 'heen feature in Adobe
ImageReady CS.
Chapter

9
Creating
an
Online
Photo
Gallery
STEP
1:
OPEN PILES AND COMBINE
THEM INTO ONE PILE
Completing
this
technique
is
possible
with
just
Adobe ImageReady CS, the Adobe Photoshop CS
companion
"
Web image tool."However, its tight inte-
gration
with
Adobe Photoshop
CS
offers so many
benefits to those
with
computers that have sufficient
resources to run both applications simultaneously

that we
will
use both applications.
If
your computer
struggles to load and
run
both applications, dose
Adobe Photoshop CS
and
just run and use Adobe
ImageReady CS. Adobe ImageReady CS uses for the
most part, the same menu commands and shortcuts
as
Adobe Photoshop CS.
Using Adobe Photoshop
CS,
choose File
*
Open (Ctrl+O PC, Cmd+O Mac) to display
the Open dialog
box,
Double-didc the
\50
folder
to open it.
Press
Ctrl on a PC or Cmd on the
Mac while clicking the
waterl-before.jpg and

water2-before& files to select them both; click
Open to open both files
in
Adobe Photoshop CS.
w
To create a layer containing the watefl-before.
jpg image
in
the water2-before.jpg image, click
the
waterl-before.jpg image to make
it
the aaive
image. Click the Move tool
(V)
in the Tdbox.
Press
Shift
on a PC or Cmd on a Mac while click
-
ing in the weterl-before image and drag the
cur
-
sor onto the water2-before.jpg image. When you
release the mouse button, the
water2-beforejpg
image now
has
a second layer,
as

you
can
see in the
Layers
palette shown in Figure
50.3.
Alternatively, you can click the water-beforel.jpg
image to make it the active image and then press
Shift (Cmd on a Mac) while clicking the image's
thumbnail
in
the
Layers
palette and draging it onto
the
wate~before2.jpg image.
In
both cases, pressing
Shift
on
a
PC (Cmd on a Mac) forces the new image
to be perfectly aligned
to
the image where it is
dragged.
You
can
now dose the waterl-before.jpg image
as

it
is
no longer needed.
STEP
2:
SEND IMAGE TO ADOBE
IMAGEREADY
CS
w
The image is now ready to be edited
with
Adobe
ImageReady CS. To open Adobe ImageReady CS
(if
it
is
not already open) while sending the
two
-
layered version of the water2-before.jpg image,
dick
the
Edit
inImageReady
button (SM+Ctrl+
M PC, SM+Cmd+M Mac), whkh
:*
-++h-
bot
-

tom of the Toolbox,
as
shown in
Creating
Animations
Using
Digital
Photos
rn
You should now see the water2-before.jpg
image in the Adobe ImageReady
CS
workspace.
As
you
will
need quite a few palettes
I
suggest that
you arrange the palettes in one of the default
positions by choosing Window
*
Workspace
*
Interactivity
Palette
Locatiom. The Adobe
ImageReady
CS
workspace should now look

similar to the one shown
in
Figure
50.5.
STEP
3:
CREATE ANIMATION
To create an animation, you now need to carefully
define the first and last image and apply the
lkeen
command
to
automatically create all the transitional
states in between. That's it
-
it
is
that simple! Because
we want the beginning of the image to look as if no
polarizer was used (the image
with
the rich fall col
-
ors), we set it as the first image. Then we create a sec
-
ond image in the Animation palette and carefully set
it
to
look
like

the image where the circular polarizer's
full
capability of removing reflective
light
has been
used (the image showing the bottom of the shallow
stream).
rn
Click
the menu button in the upper
-
right
corner
of the Animation palette to get a pop
-
up
menu;
&&New
Frame to create a second
framc
Chapter9 Creatingan Online
Photo
Gallery
in the Animation palette, which should now look
like the one shown
in
Figure 50.6. The second
animation cell is now highlighted indicating
that it is the active cell. The Layers palette now
reflects the settings for the active

cell,
as
does
the
water2-before.jpg image.
rn
Click the Layer Visibility icon to the left of the
Layer
1
layer in the Layers palette to hide that
layer. The Layers palette should now look
like
the one shown in Figure 50.7. This now changes
the look of the second cell
in
the Animation
palette to look
lie the image where the bottom
of the stream may be seen.
rn
Press
Shift
and click cell
1
in the Animation
palette to select both cells. Click the bottom
of either cell to get a pop
-
up menu giving you
options for setting the amount of time each cell

is displayed;
click0.2 to set each cell to display
two
-
tenths of
a
second.
rn
With both cells still highlighted, click the menu
button in the upper
-
right comer of the Animation
palette to get the pop
-
up menu shown in Figure
50.8. Click
'Rveen
to
get the
'Ifveen
dialog box
shown in Figure 50.9.
This
dialog box allows you
to set the characteristics of the tween effect
-
the
way the images
are
made

"
between
"
each cell.
8
Click
in
the Frames to
Add
box and type
18,
which results in a total of 20 cells
-
the starting
and ending
cells, plus 18
"
tweened
"
cells.
All
Layers should be selected
in
the Layers area. In
the Parameters area, only Opacity should be
selected. Click OK to begin the tweening process.
rn
The Animation palette should now look like
the one shown
in

Figure 50.10. To see the entire
animation, you have to use the scroll bar at the
bottom of the Animation palette.
rn
At the bottom
-
left corner of the Animation
palette, there is a Looping Option setting box;
dick
it to get a pop
-
up menu. Then, click Once
New
Frame
Delete Frames
Delete
Animation
Copy
Frames
Pasts
&am
,.*
~
-
,
~bet{th-
~~
~-~~~
-
,

Optimize Animation
.
I
Make
Frames
From
Layers
Flatten Frames Into Layers
I
I
Create Layer for Each
New
Frame
I
I
New
Lavers Wsible in All StatssRrames
I
I
~dette
options
.
I
Creating Animations Using Digital Photos
to have the animation play a single time
without looping.
rn
To view the Animation, click the PlayslStops
Animation button
in

the Animation palette-
the button with a single triangle on it. You now
see
the 20
-
cell animation play in the
wata2-befomjpg
image window. Pretty cool, don't you
think?
rn
It
is
way beyond the scope of
this
book
to
cover
the many intricate details of Web images, but you
should be aware that Adobe
ImageReady
CS
is
doing some pretty sophisticated manipulation of
the images based upon defaults or your chosen
settings. Take a quick look at the Optimize palette.
If
it isn't showing, select
Window
*
Optimize.

Click the
Quality,
Transparency, and Options
icons to
view
the many options that are available.
Because animations must be GIF files and because
we want the best quality of animation for our
stream image animation while making it an easy
download, select
GIF
1%
Dithered
in
the
Preset
box The Optimize palette should now look simi
-
lar to the one shown in Figure 50.1
1.
rn
To find out how large the image has become,
click on the Optimized Tab in the
water2-before.
jpg
document window. If you dick the down
arrow at the bottom of the document window
you get a pop
-
up menu; choose

Origin&
Optimized
Pie
Si,
which
will
show the entire
20
-
cell GIF image file is
556.3K.
While that
is
small for what is essentially a file containing 20
different images, the file is a bit large to download
from a Web page and just fine to
use
as a CD-
ROM
-
based image. To make it smaller, you
can
change GIF settings, make the image smaller, or
tween
with
fewer than 20 cells.
Chaprer9 Creatingan Online
Photo
Gallery
STEP

4:
SAVE AND VIEW ANIMATION FILE
rn
To optimize and save the newly created
animation,
choose
Fie
*
Save Optimized
As
(Ctrl+Shift+Alt+S PC, Option+Shift+Cmd+S
Mac)
to
get the he
Optimized
As
dialog box
After selecting a folder where you want
to
store
the image, click Save to save the file.
rn
To view the animation, open up a Web
browser; then using Windows Explorer (Finder
for Mac users), find and then dick and drag the
water2-before@ file onto the open Web browser,
as shown in Figure
50.12.
As
soon as it displays,

the animation begins to play.
As
we
set the looping
option to play once, it plays once. To
view
it again,
click
the Web browser's
Refresh
or Reload button.
STEP
5:
RETURN TO PHOTOSHOP CS
rn
You
can
now dose Adobe ImageReady CS, or
you
can
click
the Jump button at the bottom of
Adobe ImageReady
CSs
Toolbox to return to
Adobe Photoshop CS.
Admittedly,
this
animation
is

very simple and we
avoided looking at the many other features that allow
you to further control how the animation displays.
But, this example gives you a good idea of what
can
be done with animations. Well
-
thought-out
anima
-
tions
can
enhance Web pages, but they also can repeat
too often, be distracting, and ultimately lower user
experienceif you have not used them appropriately.
You may
now want to wnsider other
ways
that you
can
use
animations. How about
having
a moon float up
toward the top and off of a
late
evening photo
as
if
it

were
Gig in the sky? Or, you
can
create an animation
where the
sky
gets darker and
darker
until
it
is
almost
totally black
as
it does each evening when the sun
sets.
You
can
take
ideas
such
as
these and
turn
them into
interesblg features on a Web page
in
just
a
few

minutes
using Adobe ImageReady
CS.
For example, the
sunset
-
in-the-forestgif
image that
can
be found
in
the
W)
folder
was easily
created
by
using the image
as
the first
d.
Reducing
Lightness
with
HudSaturation created
the second
cell.
28
new
cells

were then tweened to cre
-
ate the final GIE To
view
the results, drag it onto an
open Web
browser.
The image loops
three
times. What
animation do you want to create?
You have now reached the end of the last technique
and the end of the book
I
hope you have enjoyed the
techniques and the
digital
photos that you used to
complete the techniques. If you have
any
questions
about these techniques, ideas for new techniques,
comments about
how
one or more of them may be
improved, or you have some work you would
like
to
share on the companion Web page, please send me an
e-mail-I would enjoy hearing from you. I can be

reached at
ggeorgesOreallyusefulpage.
corn. See you out there shooting!
APPENDIX A
WHAT'S
ON
THE
CD
-
ROM
This
appendix provides you with information on the contents of the CD that accompanies
this
book For the latest
and greatest information, please refer to the
ReadMe 6le located at the root of the CD. Here is what you
will
hd:
rn
System Requirements
rn
CD-ROM Installation Instructions
rn
What's on the
CD
rn
Troubleshooting
SYSTEM REQUIREMENTS
Make
sure that your computer meets the

minimum
system requirements listed in this section. If your computer
doesn't match up to most of these requirements, you may have a problem using the contents of the CD.
FOR WINDOWS
9X,
WINDOWS
2000,
WINDOWS NT4 (WITH SP 4 OR LATER), WINDOWS ME, OR WINDOWS
XP:
rn
PC
with
a Pentium processor
running
at
120
Mhz
or faster
rn
At
least 32 MB of total
RAM
installed on your computer; for best performance,
we
recommend at least
64
MB
rn
Ethernet network interface card (NIC) or modem
with

a speed of at least
28,800
bps
rn
A
CD-ROM drive
FOR MACINTOSH:
Mac OS computer with a
68040
or faster processor running OS
7.6
or later
rn
At least 32 MB of total
RAM
installed on your computer; for best performance, we recommend at least
64
MB
CD
-
ROM INSTALLATION INSTRUCTIONS
To install a particular piece of software, open
its
folder
with
My Computer or Internet Explorer. What you do next
depends on what you find in the software's folder:
1.
Fist, look for a ReadMe.txt 6le or
a

.doc or .htm document If this
is
present, it should contain installation
instructions and other useful information.
2.
If
the folder contains an executable
(.exe)
6le,
this
is
usually
an
installation program. Often
it
will
be called
Setup.exe or Install.exe, but in some cases the filename retlects an abbreviated version of the software's name and
version number. Run the
.exe tile to start the installation process.
339
SO
Fastphotoshop
CS
Techniques
WHAT'S ON THE
CD
The following sections provide a summary of the
software
and other materials you'll find on the CD.

IMAGES
FOR
THE
50
TECHNIQUES
All
of the images for the techniques are on the CD in the folder
named
"
Techniques
"
. There
is
a sub
-
folder for each
technique. For example, you can
find the images for Technique 12 in the folder \techniques\ll-20\12.
50 sets of original
"
before
"
photos for completing each of the
fifty
step
-
by
-
step techniques and 50
"

after
n
images showing the final results. Most of the'before
"
images
are digital photos created with professional digital
SLR cameras and quality lenses including the Canon EOS
IDS, ID, D60, and D30 cameras; and, the Fuji FinePix
S2 Pro.
Internet browser
-
based slide show featuring
"
before
"
and"aftern images. To run the show,
use
Windows
Explorer or Mac Finder to locate the
folderlshow. Double-didc
indahtm
to
run the slide show
in
your Internet
browser.Youcan also view thisslide showonlineatwww. reallyusefulpage. com/5Opscs/show.
TROUBLESHOOTING
If you have difficulty installing or using any of the materials on the companion CD,
try
the following solutions:

-
lbm
off
any anti-vim
software
that
you
may
have
running
Installers sometimes mimic vims activity and
can make your computer incorrectly believe that it
is
being infected
by
a
virus.
(Be sure to turn the anti
-
virus
software back on later.)
rn
Qose
all
&programs.
The more programs you're running, the less memory
is
available to other pro
-
grams. Installers also typically update files and

programs;
ifyou
keep
other programs running, installation may
not work properly.
Reference
the
ReadMe.
Please refer to the ReadMe file located at the root of the CD-ROM for the latest product
information at the time of publication.
Image
files.
When working
with
image files from the CD
-
ROM if you receive a message that you are working
with
aURead-Only" file, read the Introduction to learn more about how to change file attributes.
If
you still have trouble with the CD
-
ROM, please
call
the
Wiley
Product Technical Support phone number: (800)
762
-
2974. Outside the United States,

call
(317) 572
-
3994. You can also contact Wdey Product Technical Support at
www.wiley.com/techsupport.
Wiley
Publishing
will
provide technical support only for installation and other general
quality control items; for technical support on the applications themselves, consult the
program's vendor or author.
To place additional orders or to request information about other
Wdey products, please
call
(800) 225
-
5945.
APPENDIX
B
COMPANION WEB SITE
A
companion Web sitehasbeencreated especially forthisbookatwww. reallyusefulpage. com/5Opscs.
WHAT
IS
ON THE SITE?
rn
Updates and corrections
to
this
book

rn
50
Techniques
Readers' Image Gallery: =ewthe work of other readers and share your best work, too! If you
have created an outstanding image that you
would
like
to share with others, please e
-
mail a .jpg lile version to
curator@reallyusefulpage
.
corn.
Make
surethat the images fitwithin a 640~640pixelsquare and that
they are under
75K
Puture
editions of this
book
may contain images submitted to
this
gallery. Permission
will
be
requested and credit
willbe given
to
those who submit images.
rn

A
really
useful
list
of
online photography and image editing resources including Photoshop plug
-
ins
rn
PAQ
(Frequentlyksked Questions) section for getling answers
to
common questions
rn
Recommended
book
reading list to
further
your skills
rn
List of online galleries that you might
like
to visit
JOIN AN ONLINE PORUM
The author of
this
book has created and hosts an online forum at Yahoo! Groups for readers of his books, as well
as
anyone else that has an interest in digital photo editing. To join, visit http
:

//groups. yahoo. corn/group/
digital
-
photo
-
editing.Alternatively,visit
this
book's companion Web site
(www
.
reallyusefulpage.
corn/
5
Op
sc
s)
and
click
on Join an E
-
mail Group.
Subscribe to the e
-
mail service to participate. You
can
post images and share tips and techniques
with
other readers
of
this

book There will even be an occasional onIine chat session,
which
you will be invited to.
CONTACT THE AUTHOR
Gregory Georges welcomes comments from readers. He may be contacted by e
-
mail at ggeorgese
reallyusefulpage. com, or occasionally on
AOL
IM under the Buddy Name, DigitalGregory.
His
Web site is
www.
reallyusefulpage. corn. While he reads
all
e
-
mail, the heavy volume makes it ditlicult
to
respond to all
messages immediately,
so
please have patience.
This
page
left
blank.
INDEX
Numbers
16

-
bit
mode
Adobe
Cam~~RAWplug-in conversion,
77
-
82
advantages,
7S76
title bar information display,
138
A
actions, undoing last (CtrlfWCmbcZ),
42
Action
sets,
loading,
62
Actions
palette
addinglmodifying
existing
Action
steps
67
batch p-&
54
-
56

crmr/~rht
imwe
action,
179
tIiiShadow frame Action,
53
loadinam Action
xt,
62
m Action, 63
preddined actions,
50
&ording
custom
Actions,
50-54
saving
an
Action
ss
a
Droplet,
M57
saving
custom
Actions,
54
s&xgAc!ion
as
active,

62
stopping Actions.
54-55
undoing,
50
viewing
action steps,
62
Add Nokt dialog box,
43
Adjustment
byen
burning
and
dcdging
black and white
photos,
1IM21
contrast comaions,
80
creating,
474
photomontage,
192
-
193
Adohe
Camem
RAW plug
-

in
contrast
adjustments,
72
-
73
display resalution
rcquimmts,
5
erpasm
adjustments,
72
image
analping,
71
Image settings,
70
bdw
adjusrmmu
72
-
73
16-bu modrcowcrsion,
77
-
82
white
bPlnoa
adjustments
71

-
72
Adobe
(ACE)
enuine,
color mismatch
wivbing
tovbingPh~hoP
CS,
38
Mohe RGB
(1998)
~101%
wbr
management,
2630
algorithms
Bicubic Smoother,
283
Photoshap
CS
mpporkdclpsclps
281-282
AltKtrl+Shiff
kev
comb'mtion.
rrrtolina
wmdows
Pd
to default

settin@,
6
-
Animatim
cahte.
frames
creation,
335-358
animpti-
dirdtsl
oham
uses.
335-338
appli~n-wi;;&
&pla@@dhg,
37
sizing,
32
-
33
Apply
Image
dialog
box, blend
mode
application,
139
Art
History
Bwh

toot
uses,
4M7
Art
of
Bird
Photography,
rite
(Arthur
Morris),
89
author
contact
information,
341
email
addws,
I89
Web
site
URL,
189
Anto Cola Codons
dialog
box,
color
mingS.64d5
Auto
Color
tool,

tonal lnnlslcalor
~tiTClh6,6P65
B
background colors, Web Photo
Gallq
319
background images
photmontage.
190-193
sdn&
I90
background layen
creamg new,
40
Mtal
pamhng,
239
duplicatmg,
78
eeebn&eeeeeI
backpround pmessh enablmp/
disabling,
11
B-,
Paer,
polamid photo-iaqe
transfer&
1%
banners, Web Pbato Gallery,
319

Bard, Pbil, hlackand
white
photoppha,
116-117
Batch dialog box, batch file processing,
5556,180-181
batch processing
mge
management,
54
-
56
metadata,
103
-
104
portrait
pmof production,
177
-
181
Beep When Done, enabling/&sabling,
7
Bicubic Smoother algorithm, image
enlargements, 283
-
284
black and white photos
'a~~cr,
13&132

Blend mode appliatlon,
139
-
140
burmngmddodgingmthmarlrs11~121
colorizing,
161
-
165
cobr
photo conwon,
10%114
ronh;lst
&cements
138-142
duotones,
133
-
135
editing
with
sraling
marks,
123-127
imaae
value
seleaions,
130
"p&V
effect&

137
-
143
toned images,
133-135
bIack
point
rompensation, color mismatch
conversions,
28
bhding
modes
ap$iation
gmcess,
13M40
lngen,
41.M
photomontage,
191
-
193
MFastPhotoshop
CS
Techniques
borders,
image
white
apace,
52
-

53
boundinghox,
mizing
a
layer,
237
bradrded photos,
image
combining,
199
-
204
brightnegs Adobe Gamma utility
adjustments,
20
BrushpaIette, brush
size
selection, I49
brushes
restoring
default
rettings
11
sidng, 47
Brush
heset
Picker
brush
siaing,
47

digital
pdn-ting, 24l-W
History
Brush twl selebiona, 22&227
Small
list
vkw
admtagcs, 226
Buntinn,
Fred
(Real
World
Color
A4iMgement),
30
buZZ.Pro 2.0 plug
-
in.
creating
artwork
263-266
c
cachehels,preference settings, 10
-
11
Calypso,
Inr,
Lightjel5000 printer, 30?-307
canvas
slEinp.

52
-
53
Web
image
jump
prt~ention,
31%314
Canvas
Size
dial%
box,
canvas
sizing,
52
Capture One DSLRdw-in,
RAW
fmt
chambers,
~ichael,
so
FTP
account
setup, 307
Channel
Morer,
color photo to black and
white
convemon, 110-114
Channelspame

applynag filter
e&a
to
a
single
channel, 250
channdncwing,
112
Llghw
channel
dispb,
11
1
loadmg
cham&
ap
a aeldrm,
130
shqenq
hghmess
chd
in
lab
Wor
mode,
95
Clipboard,
qmrt
preference senings,
7

Clone Stamp tool (S)
mkiInerepairs.150
rmssmgpomait part=, 149
-
150
CMYK
colorspreference senings, 28
whge
mark,
creating from photo objects,
195-197
mlor
&,
whk balance adjustments,
71
-
72
&or chameIs, sharpening in
Iab
Color
mode,
95
color
cotrecrions, GretagMacbeth
ColorChecker Rendition
Chart,
97
-
100
color management

defined,
25
-
26
opening
&with
embedded
prde
mismatch,
2S30
preference seniags.28
re-
6or.
M27
saving
mlor
rrmogs
28
-
29
wlor noise
reduction,
Mobe
Camen
RAW
plug-~n adjustments, 73
wlor photos
blark and
white
vhm

erm~~aioa
1054 14
wlo,-s
Adobe
RGB (19981,2€-30
chulgiag,211-212
~~oridnsblsdr
and
whm
phot~, 162-165
d+Yq*.e
grids,
9
image
adjustments, 6C65.80
line
drawings,
22C227
partrait adjustments, 155
Color Sampler,point
settiogs,
78-80,8E-86
Color
Mthgs
Comment
dialogba,
mlor
file comments, 29
Color
S-gs dialog box, prekence

settings, 27
-
29
Colorsync
and
Display Caliimtion
utility,
Macintosh, 19,23
comments. color
lile
settin@,
29
ccnkto~
restoring dcfsult
settin@,
11
contrast
Adobe
Camera
RAWplug4n sdjustmmts,
20.72-73
darlrening black and
wbite
photos. 138440
image
adjustments, 80
hcrcasingldecreasing, 124425
lightening
blackandwhite phom, 141
conversions

Adobe
Camcra
RAW
plug
-
in,
69
-
74
color
photo to black and white photo,
109
-
1 14
wlor photo to
dootone,
134-135
mlor
photo
to pyscale
image,
110-1 14
mlor to black and white
with
Convert to
BM1
Pro,
259
-
262

profilemismatch, 28
RAW file
fomt
with
Capture
One
DSLR
plug
-
in, 25g257
Convert to BiW
Pm
plug
-
in, color to black
and white conversions,
2%262
copyrights
addhrg
information
to
an
image,
66
image
addition, 314
-
315
image
protection

hisueq
314,316
symbol
creation,
66
wtrections
color adjustmmts, €445
mWripbt
information
addition.
66
tlat&
an
image, -7
image
Supenin&
65
image
straightening, 65-64
metadata additiou.
66
tonal
Inel
64
-
65
Crane's
Museo,
fine
art

paper,286-289
Create Droplet dialog box, Droplet
creation,
5657
Cmp tool (C), mopping
an
image,
64,148
amors, preference settings 8
Curves dialog
box
Auto
Color
twl settings, 64
-
65
grid adjustments, 132
wnal
range
adjustmmts,80
Custom Colors dialog
box,
wlor photo to
duotone conversion, 135
Cumut filter, image &ms,246
D
Dark
Strokes
dialog
box,

dprkenhqlines,
223-224
ffie
1.0 plug
-
in, digital noise removal,
27?-277
Diffuse Glow dialog
bo44t
Dipimarc
plug-in,watennarks, 315
digital cameras
Capture
Om
DSLR
plug
-
in
support
irsues, 254
RAW image fomvt advantages, 204
"shooting"data,
101
-
105
digital
painting
ha&mund
lapr,
239

Brush
PIC&
Pick, 241-242
buZzPro 2.0 plug
-
h, 26?-266
creating,
235-243
cropping
an
image, 238
image combining, 236
LsgerMaslrs,238-239
lager
reJizi&
237
Index
e
-
mail
addresses
ndEdgcs6ltn,line
drawings,
21W7.0
dialog
box,
resizing
an
image,
56

Fuji's
Crystal
Archive
paper
&tin
MOO
prints
MU07
~i~tt'e+
online
printing
service,
2%
Full
Screen Mode,
displayinglhiding,
37
Full
Screen Mode
with
Mmu
Bar,
displaying/hiding, 37
G
gradients,
resto~ing
default
xtthgs,
11
paPCale

images
wh
photo
don,
109-114
prcferrnceuttingsl
GrrtagMacbeth
ColorChedur Rendition
Chart,
97-100
pri&
wlor
Jmings
9
*In-&
9
size
adjustmen%
132
guidelines
ww
mask
creation,
196
diaplaying/hiding,
9
Guides
Grids,
&
Slices

dialog
preference
settings,
9
H
Hand
tool
(H)
fittinp
imaga
to
the
acreen,
3C35
moving
images
35
selection methods, 35
hard
driws,
scratch
disk
P~&~CC
sntings
10
hudwue
white
point. Adobe
Gamma
utility

adjustments 22
Hcalina
Brush
tool
(J)
Histogram
palette
bidin&plnyin&
78
viming
editing
steps,
138
vims,
78
histograms,
image
analyzing
71
Hinory
Brush
tool
(Y)
painting
line
drawings
with
wlor,
226-228
us=,-7

History
Log
donunenting
image
edit
steps
104-105
msbling/d*ablin&
7
SO
FastPhotoskop
CS
Techniques
Histofypdette
history
states,
40,
42
image
snapshorn,
4446,209
Hirto'y
States
%story
paktte
info~ll~lhm,
40
History
palette
naviption,

42
preference
Mtings,
67
hues, image color adjustments,
80
HuelSamation dialog
bor,
43,80
I
ICC
mlor
profiles
cdypso's
Iightjet
5~0printe1,3~-307
Epmn Stylus Photo 2200printer.
286-289
installation,
266-289
image maps, Web page navigation mnhod,
321
-
325
ad&ngto &sting background,
190-193
Adobe
Camw
RAW vlue-in wnversion.
A

-
69
-
74
appiying
Unsbarp
Mask
kilter
to entire
image,
92
-
45
badiground,
editing,
4M3
hatch procesiug,
54
-
56
borders,
52
-
53
bracketedphotos.
199204
brightnessldarlmess
settings,
79
color

adjustments,
6445
wlor
cbange~,211 212
Color sampler pointse(tings,
7-0
mlor MNIalion adjustments,
80
wmbii
236
wntrast adjustments
80
wpykgipasting,
208-209
cowight
information addition,
66,
314-315
wpy=ightpmtecIion iseues,
314,316
-Wright
rgmbol
addition,
31&315
cropping,
64
darkning,
215
dmsityadjltrtments
61-82

documenbng
ed~t
stepsteps,
1M-105
drop
shadows,
53
duplicating
Iheba&mund
layer,
78
editing
in
Adobe
38
edit planniagimportance,
138
fittingto
thehcwmn,108
fittosrem,34
flattenin&
6647
framing for the Web,
312-313
HistoryLog,
10P105
incrragiogidcacpsing
expsun,
8445
making

di&rrnt
size
prinrs of
the
same
pbotor
298
mdta addition.
66
mirroring,20&211
moving on
the
workspce,
35
multiple
view
display.
36
opacity
-5
8142
pladng in
amllaged
196197
positimiq,
190
-
191
quick
correchbm,

6147
rcaiziog,
283
rdlover.
327
-
332
sharpening
with
PhotoKit
SaVpmer
plug-in.
267-271
sizing,52,124,1%191,312
due
sele&ons,
I30
watermarks,315
Web jump prevention,
31s314
Web
page
display
preparation,
311
-
316
mam
percentages,
34

-
35
Image
Size
dialog
box,
52, 124,283
1ma&g ~actory~Convea
to
BIW
Pm,
260-262
-
"
-
Info
palette,
Color
Sampler
points
78
-
80
installation
CD-ROM,
340
Photosbop
CS
opdatc6,5
interpolation

dehed,
281
prekmce
sEttin&r,6
imisibfewatennark,
image
addition,
315
Johnson, Harald
(MastningDqitd
Rinhng
Photognrpher's
and
Anids
Guide
to
Digital
Gurput),
289
PEG
Me fonnat
Fuji
Fmntier
printer support,
293
6avingimagesas,
315416
Shumiily online
printing
senkc

suppoa,
296298

Kennedy,
Tammy{The Retouching
Fairy
Godmother,
133,135
smUing
images,
36
Keybard
Shortcut
dialog box,
seating
custom shortcllta
I5
keyboard shottcuts, creating custom,
15
L
Lab
Color mode
cdor photo
to bkck
and white~onwsion,
110-111
lightness
chmd
Jharpcning,
95

large
prints
image degradation
amidana
mnhoda,
.
281-282
Super
B-sized
paper,
282-283
layer
Masks
burning
and
dodging
black and
white
photos,
115-121
digfalpainting,
23&239
photomontage,
191
-
193
kyers
adiu6nnenL
4748
ba&round creatin

g
new,
40
badrpreund
cdifin~.
40-41
blending, 41,44.2&
creating new,
40
duplicating,
40,78
Paint
Layer,
225
rraidng,
237
sming
as
active,
44
b
palette
aeating
a
new
layer,
40
editing.
background
layer,

4M1
Paint *I,
225
layouts, collage
mask
mation.
196
&Is,
tonal adjustments,
6&65
levels
dialog box,
48,80
libraries, restodngdefault
ssettinga
11
ligbtjet
5WO
printer, continuous tone
photographs
30S307
Llghfnem
dunnel
wh photo
to
bl&
and
white
~00,
110

-
111
shupnin8
in
lab
Color
mode,
95
line
drawlngJ
ma&
with
%
21iL214
oaintina
with
dors.224-227
lies
-
~~fw~bC,312-313
thicker&,
223
linlo,
image
maps,
323-324
liquify
dialog
box,
rerhapiug

image
features. 157
-
158
Load dialog
box,
loading
an
Action
xi.
62
Morris,Artbur
(&Art
ofBird
Load
Selection dioloa
bor,
reloading
saved
PkorosrrphyA
84.89
-
releaions. 118
hktcmcG%6&m.tertlue-,
luminance smoothim Mobe
Camera
RAW
173-174
plug
-

in
adjus&ts,
73
Motion
Blur
dinlog
bm,
4243
Lwn,
h,
wlor manspmmr
experl,
289
Mow
tool
(V).
repositioning
an
image.
190
application
window
sizing,
33
W-ROM
system
requirements,
340
w~tmbo1314
I


-
.
display wlarlrnalution
&gs,
t5
Navigation
pelme,
moving
images,
35
docwnmt
window
&.
3534
Navigator
pala
image
moms,
34
ICC wlarpmEk
in&troo,
286
~pcpc~~,
-%TML
editor,
3328
monitor calibration, 19,23
New
Action

di.bg
box,
mdiDg
NJtom
restoring
prefkrmcea
to
d&dt
.cttinsS
6
actions,
51
Standard
ScreenMode, 33
-
34
NewIa~~box,rla48~80
Macromedia's
Dreamwaaw,
nTML
editor,
&mulblmsd/l.&
1.0
plug
-
in, 267-271
328 noisb~wirsD6ne 1.0 plug
-
in,
M&

Dan
(Profmionnl
Phofmbp
-
7iw
273-277
-
Chic
Guide
to
Cobr
ConcbirmJ,
135
noise
Fcrhrctlrm,
Mobe
Camera
RAW
Mastering
Digital
Pn'ntmg:
Pho~hn's
and
Artist>
GvidetoDigiml
Output
(~~nld
~ohasoaj,289-
McIntp,
Mark,

sports
photoppher.
292
Measure
tool,
image
slraightening,
6344
memory,
cache
levels,
1&11
Memory
&
Image
Cache
dialog
bm,
preference
sertings.
10
-
11
metadata.
Sec
also
So
data
batch
praccssing,

103-104
digital
CBmera"shootin$datsts
101
-
105
image
addition. 66
~~aanplUte.104
uacq
101
-
103
uih
in
File
Bmwser
102
-
103
Web
pioto Gallely.319
MetadataDisula,
Ovtiom
dialog
bmr.
Fuji's
Cryst.l
Archim
2%.

303307
ICC rolor vmfilcs 286289
portnit
facial
Liac
muoval.
155
-
156
vrrticaVhoriwntll
fold
line
rrpair.
I49
patterns,
restoring default
s&ng&
11
pen~ink~~Ior~22~233
percentages, image
mom,
34
-
35
Phase
One,
GvhYe One
DSLR
PIW-in.
-

-
253
-
257
-
phosphor
type,
Mobe
Gammn
utility
adjustmenu, 21
The
Photographer?
ToningBwk
The
Lkfinitivr
Guide
(Tim
Rudman),
168
PhotoKit
Shapenu
plug-in,
sharpening
images,
267-271
photomontage
badrground
mcs,
190-193

blending
modes,
191
-
193
Layer
Masks,
191
-
193
photo objects
bra&&
photos, 199
-
204
mlLgz
195197
185
phMOmOntage,
189-193
rrmovin~
with
the
Extract
tool, 186-187
Pi-
Package,
making differmt-siu
prints, 298
Pixel

Genius,
LLC,
PhotoKit
Sharpam,
267-271
plug-ins
MQbe
Camera
RAW, 69
-
74
bnZ2.h
2.4263-266
Covhue
One
DSLR
253-257
M
Fast
Photoshop
CS
Techniques
Plug
-
Ins
&Scratch
Disks dialog box,
preference
seningJ.
9

-
10
portraits
batchprwf pmdudion,
177
-
181
colo~gbiack
and
white photos,
161
-
165
digital
texhm
sans,
17P175
facial
line
removal,
155
-
156
iokline reoairs.
1M
restmtioog
147
-
151
retouching,

153-1-
set ulections,
178
tonal rangelmlor adjustments,
155
tonina
Wles,
167-171
wticauhoriromal
&Id
line
repiir,
149
Poster
Edges
filter
image
e&tb
247
-
249
line drawings,
220
-
221
softening
animage.
214435
thickening lines,
223

Preferences
-
Gmd
dialog
box,
6
-
7
Preset
Manager
dialog box,preference
settings,
11
Print
dialog
bux,
KC color profile setup,
288-289
printers
default nsolution aeitings,
9
Epwn
Stylist
Photo
2W, 28S286
Fuji Ztontier,
291
-
294
gamut

namings,
287
ICC
wlorpm6k
286289
lightjet
Sooo,
303-307
so&-prwting setup,
267-288
Profmiowl
Photoshop
-
The
Clars*
Guide
to
Cob
cmnnion
(DanMagulis),
135
profiles
Adobe
Gunma
utilitv.
20.23
mismavb
color satihgs,
28
proofs,prtmit

batch
processing,
177-181
Proof
setup dialog
box,
soft-proofing,
Q
QuickMaaL
mode
(Q),
image
editing,
247-248
R
RAW file format
Mobe
Camera
lL4W
plug
-
in conve~simrs,
69
-
74
Caphue
One
DSLRplug-in conwsion,
253
-

257
digital
camera
uses,
204
pamaitprwfprcductios
177-181
Real
%Id
Color
Mawgemmi
(Brucz
Fraser,
Ed
Bunting, and
Chris
Murphy),
M
recently
used
file list, preference settings,
8
Reconstruct
tool
(R),
reshi(ping;maPe
feahuq
158
Replace
Color dialog

box,
color
replacements,
193
resolutions
&be
Camera
RAW
plug
-
in
requirrmmu,
79
default printer
settin&
9
di8pi.y
~~
rl-5
ReMlt
tool
(FlZ),rw&ing
to
previous
image
disPb
48
RGB wlon
Adobe
Camma

utility adjlrrtmenfs,
21
-
22
prefetence
scnings,
2748
RiEhardaon,
Lance,
l&naispvloe
photompher,
1154
mh
images, Web
pag
usa,
327
-
332
Rotate
Canvas
dialog
box,
63-64,148
Budman,
Tim
(The
Phofoppher's
Toning
Book

TheD&irive
Guide),
168
rulers
collage
mask
acation,
1%
disphyinglhiding,
9
horLontdverdcal&khs,
9
measurement units,
8
5
Sample Size dialog
box,
setting
Cdor
Sampler points,
85
saturation
Adobe Camera
RAW plug-m adjnsbnents,
72
-
73
image
wlor ad~tmak,
80

Savch dialog
box,
saving
images,
124
Save for
Web
dialog
bux,
6&67,31%316
Save Optimizedh dialog
box,
6
-
67,
324
-
325
Save Seledion
dialog
bm,
saving
&dons,
117
Save Workspace dialog
box,
Mving
a
customworksoace.
14

&g, background images,
190
scdk
mash,
black and white~hoto
match
disks,
settine,
16
meen
modes, switchine beiween,
37
Segmentis
~imited,
bu&.~m
29,263-266
selection marqueebox, image aopping,
64
sekchons
edge
feathering,
240
imerting,
240
loading into
Channels
palette,
130
pOmat Seth
178

aadmh,
117-118
ShadowMghlight filter,
84
-
88
shadom, Adobe Camera
RAW
plug
-
in
adjustments,
72
-
73
shapes, restoring default
seuings,
11
sharpnw Adobe Camera
RAW
plug
-
in
adjustments,
73
Shift+Opt+Cmd
key
combination,
restormg Macintosh to
default

egs,
6
shortcut
kqs,
creating custom,
15
Shutterfly, online prinmg
service,
29S301
Shutterfly
Pro Galleries, online photo
gallery service,
301
Slice palette, slice links,
323
-
324
Ske SdeCI tool
(O),
slice beleaons,
323
Slice tool
(K),unage
map creation,
322
-
323
Small
List
new

BN&
Pmet
Pi&,
226
Swatches
pdette,
241
Smart Blur filter
line
dramngs,
221-224
aoftenhgan image,
214
watercolor
waJb
231-232
smwthing, Mobe Camera RAW plug
-
in
adjustments,
73
snaoshots,
imaars,
4446,209
saf;-prwIing. printer setup,
287-288
Spacebar,
ml
seledion method.
35

stains,
portrait removal,
1S151
Standard S- Mode,
33
-
34
Standnrd Screen
View,
displaying/
hiding,
37
Stam bar
document
iofarmation preferenca,
15
hidmgldiaphying,
15,34
image mapi6cation settings,
34
Index
symbols
oopyripht
&"&I,
314-315
system
rquiremmts,
CD
-
ROM,

340
T
Tab
key,
displayinIJhiding
palmes, 37
tasks
automating, 49
-
58
batchpmcesing, 54-56
custom
Actions.
50-54
enabhgldivMing
Beep
When
Dan2 7
predefined
Actions.
M
templates,
saving
metadata
as.
104
texture
sueenr,pomait
effects, 173-175
Threshold dialog

box.
79,85-86
thumbnails
NNU
adjustment 80
enabIinB/disablins
background
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11
portrait
adjustments, 155
tonal
levels,
image
adjrrrtmrmp,
64
-
65
tonal range
web
Photo
Gallery
dispIny, 319
toned
images,
blaclr
andwhite
photos,
133
-

135
toning,
podts, 167
-
171
Toolbmz
switching
benreen
84em
modes, 37
twls,restoring default
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11
Tool
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enabhgldisabiinp. 7
transparency, preference
sating%
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&
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preference
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8
troublahooting, CD-ROM,
340
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undoing last action. 42
Units
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dialog
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preference
settings,
8
-
9
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film
advantages, 91
-
92
applying to
entire
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9245
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updates,
downloadinpiins~5
watemmIrs,
image additio~315
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bmners.319
didiable
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philbard.wm, 114
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Y&m!Groups
289.341
white
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plug
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white
point,
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utility
adjustments 22
white space,
canvas
sizing,
52-53
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apQt,
286
windows
application, sizing 32
-
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dosing
pmpaly, 38
document,
sizing
3>34
doeumcnt
tiling/-

35
mzinirhg,
208
multiple
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of same
image,
36
opening multiple,
36
PGAdobe
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monitor
calibntion. IS23
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link
testing,
325
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50FastPhotoshop
CS
Techniques

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moms
cache
levels,
1&11
percentages,
3&35
window
resize
preference
settings,
7
Zoom tool
(2
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Cmd+Spacebar),
selection
methods,
35
ABOUT
THE
AUTHOR
"regory
Georges
has been an active photographer for more than
25
years.
In
1999,
his

passion for photography
finally took priority over
his
work in the software industry when he decided to undertake photography full
-
time and
to work to achieve another lifelong goal
-
to become an author. Having continuously
used
computers for
his
work
and personal life since he took
his
first
computer programming
class
in
1969,
Gregory
was
able to excel
in
the new
world of
digital
photography.
After writing his
first book on

digital
cameras
in
late
1999,
Gregory became the founding author for the
"
50
Fast
"
book series for Wiley Publishing
Inc.
with
50
Fast
Photoshop
7
Techniques.
His second book,
50
Fast
Digital Photo
Techniques
quickly became an Amazon
"
Top
M*
bestseller, and his books have been translated into more than ten
languages. Gregory
has

also
written
50
Fast
Digital
Camera Techniques, Digital Photography: Top
100
Simplified Tips
6.
Tricks,
and
Digital Camera Solutions.
Gregory
aLgo
writes for
eDigitnl Photo
and
Shutterbug
magazines.
His
Web site
ReallyUsefulPage.com is a really useful Web
page
for learning more about how to get the most £rom new digital
photography.
This
page
left
blank.
COLOPHON

This
book
was
produced electronically
in
Indianapolis, Indiana. Microsoft Word
2000
was used for word processing;
design and layout were produced using
QuarkXPress
4.11
and Adobe Photoshop
7.0
on Power Macintosh comput
-
ers. The typeface fadies used are: Chicago
Laser,
Minion, Myriad, Myriad Multiple Master, Prestige Elite, Symbol,
Trajan, and Zapf Dingbats.
Aquis'itions Editor:
Michael Roney
Project
Editor:
Amanda
Peterson
Tefhnical
Editors:
Dennis Short, rohn man
Copy
Editor:

Rmne Marini
Editorial
Managers:
Rev
Mengle, Robyn Siesky
PennissionsEditor:
Laura Moss
Production Coordinator:
Maridee Ennis
Cwer
Art:
Gregory Georges
Quality
Control
Technicians:
John Greenough, Susan Moritz, Brian Walls
Production:
Elizabeth Brooks, Sean Decker, Lauren Goddard, Jennifer Heleine, LeAndra Hosier,
Lynsey
Osbom,
Melanie Wolven
Proofreading
Joanne Keaton
Indexiq
Sherry Massey