ACTRESSES AS WORKING WOMEN 193
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NOTES
INTRODUCTION
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Linda J.Nicholson, Gender and History: The Limits of Social Theory in the Age of
the Family, New York, Columbia University Press, 1986, p. 40.
Lawrence Stone, The Past and the Present Revisited, revised edn, London and
New York, Routledge & Kegan Paul, 1987, pp. 87–8.
Griselda Pollock, Vision and Difference: Femininity, Feminism and the Histories
of Art, London and New York, Routledge, 1988, pp. 31–2.
Stone, op. cit., p. 89.
Martin Meisel, Realizations, New York, Columbia University Press, 1983.
1 THE SOCIOECONOMIC ORGANIZATION OF THE THEATRE
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For background on Victorian employment, see: M.Mostyn Bird, Woman at
Work: A Study of the Different Ways of Earning a Living Open to Women, London,
Chapman and Hall, 1911; Edith J.Morley (ed.) Women Workers in Seven
Professions: A Survey of their Economic Conditions and Prospects, London,
Routledge, 1914; Wanda Fraiken Neff, Victorian Working Women: An Historical
and Literary Study of Women in British Industries and Professions, 1832–1850,
1929, reprinted London, Allen & Unwin, 1966; Ivy Pinchbeck, Women Workers
and the Industrial Revolution 1750–1850, 1930, reprinted London, Virago, 1981;
and H.Byerley Thomson, The Choice of a Profession: A Concise Account and
Comparative Review of the English Professions, London, Chapman and Hall,
1857.
Janet Murray’s collection of primary readings gives a good impression of
Victorian ideas about proper feminine behaviour: Strong-Minded Women and
Other Lost Voices from Nineteenth-Century England, New York, Pantheon, 1982.
Secondary studies include: Leonore Davidoff, The Best Circles: Society, Etiquette
and the Season, London, Croom Helm, 1973; Carol Dyhouse, Girls Growing
up in Late Victorian and Edwardian England, London, Routledge & Kegan
Paul, 1981; and Deborah Gorham, The Victorian Girl and the Feminine Ideal,
London and Canberra, Croom Helm, 1982. Christopher Kent’s essay ‘Image
and Reality: The Actress and Society’ is in a useful collection on gender
stereotyping, sexuality, and social fragmentation, in Martha Vicinus (ed.) A
Widening Sphere: Changing Roles of Victorian Women, London, Methuen, 1977.
Michael Baker, The Rise of the Victorian Actor, London, Croom Helm, 1978.
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